A hush descended across the audience as instruments tuned, creating small ladders of fifths that collapsed abruptly, snatches of solos that disappeared and reappeared like gags in a house of mirrors. She played “Happy Birthday” for John, after which they plied her with a dozen requests. None saw, though all felt, his presence, and heard the thunder of his voice. She could not see any relief from this anxiety except repayment, and repayment seemed impossible. “Go on!” “People talked to you in Paris about us,” she continued, “about Anna the virtuous and Annabel the rake.
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